Sporadic is a fair adjective to use. It describes the haphazard nature of joy Ridge and Brooke have experienced on B&B through the decades.
The thirty-fifth anniversary of this iconic soap opera is this week, with the show having debuted on March 23, 1987. Brooke and Ridge are original characters, and their love story is woven into the fabric of this fashion-based steamer.
Conflict is what daytime has long been about. How enjoyable would it be to watch a serial that is broadcast five days a week, year-round, if every day was California sunshine and loving kisses?
While Ridge and Brooke have shared many good times and a child, their many breakups are legendary. This couple has been married more times (eight) than seems imaginable.
Brooke has been married to six other men. Included among them are Ridge’s father and brothers.
Ridge has been married to four other women. Yet, neither he nor Brooke disputes that each is the other’s greatest love.
What is Brooke’s plan if she and Ridge reunited? She does not know why she felt tempted to drink, which resulted in the chaos that followed.
Without an explanation for her behavior, Ridge feels like he would be awaiting pending doom in any reconciliation scenario. Brooke has no plan or answers for him.
She is dependent on their love being strong enough to enable another conflict resolution. But Ridge has an appealing option that he believes is low drama. Her name is Taylor Hayes (Krista Allen).
The trajectory of this storyline has Ridge and Taylor getting back together, as Kaye’s character comes to terms with his latest marriage to Brooke truly being over. But some plot options could change that prediction.
Sheila Carter (Kimberlin Brown) is an unstable person. Steffy Forrester Finnegan (Jacqueline MacInnes Wood) is teased to learn what Thomas Forrester (Matthew Atkinson) knows. That will push the plot forward.
When either Ridge or Brooke learns the truth, and however it happens, Sheila is in trouble. Her response could create tragic results based on this villain’s documented backstory. Life-threatening or life-ending crises can produce the type of breakthrough Brooke is hoping for, especially if she is Sheila’s victim.
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