Now, today’s edition of Phyllis isn’t nearly as mean and vindictive as Michelle Stafford’s creation almost always was. It wouldn’t be totally fair to compare each actor’s Y&R credentials, or visual appeals either. Stafford was the original and enjoyed an extensive, award-winning run. Her Daytime Emmy Awards, 1997 (Outstanding Supporting Actress in a Drama Series) and 2004, (Outstanding Lead Actress in a Drama Series) also reinforced just how terrific she was on Y&R. Stafford continues to deliver great work on ‘General Hospital’ as Nina Clay also.
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Stafford was originally hired for a role that was expected to be limited. But, she was so impressive as Danny’s (Michael Damian) crazed stalker that her stay was extended. She later moved from a backup role to a leading lady. No matter what Tognoni does, she won’t be able to compare to those fabled efforts. But, seasoned viewers aren’t truly judging today’s Phyllis against the iconic standard.
Tognoni’s more consistently vulnerable version of Phyllis basically created a different character. Former executive producer Jill Farren Phelps and former head writer Chuck Pratt, Jr. decided that ‘Red’ should go in a different direction. So, it will be interesting to see where Mal Young and new head writer (and Y&R alum) Sally Sussman ask Tognoni to walk in the immediate future.
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Jack’s (Peter Bergman) spurn should make Phyllis burn. Add the potential of a now-possible open ‘Philly’ relationship and there’s no telling where ‘Red’ will go next. Pair Phyllis full-time with the always self-destructive Billy (Jason Thompson) character and Tognoni’s acting chops are about to be tested. Two scorned souls taking on Genoa City? Viewers will be watching to see what this evolving reissue of Phyllis delivers.
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